Artist – Pixies
Title – Surfer Rosa
Format – Hybrid SACD
Label – 4AD
Year – 1988 (original) , 2007 (remaster)
When the topic of the Pixies comes up, I’ve actually heard some indie fans scoff and call it “entry level”. Fuck that opinion. Yeah, everyone’s seen Fight Club and we all know how Kurt Cobain admits he was basically ripping off the Pixies for most of Nevermind, but you can’t dismiss how pivotal this album was in the context of the 1980’s. Before this album, American indie rock was dominated by jangly R.E.M imitators, stodgy post-punk (yes, I know I just previously reviewed Mission of Burma), or hardcore bands that finally learned to play their instruments. Surfer Rosa defined the sound that carried through to the 90’s and was unfortunately beaten to death by the middle of that decade. The album isn’t perfect (“Tony’s Theme” is a painfully lame piece of filler), but the first seven tracks are unforgettable classics.
I’ve had this album on vinyl for a while but it has a really bad warp that affects the first couple tracks on each side. I figured I should get a more listenable version of it, so I went with the Mobile Fidelity Sound Lab SACD. For the uninitiated, a brief intro to SACD and MFSL: SACDs (Super Audio CD) are basically hi-resolution, dual layer CDs. Think Blu-Ray, but for music. The first layer contains the SACD recording, which is stored at a whopping 2822.4 Khz sample rate .The second layer contains the standard “Red Book” recording at 44.1 Khz, which works in any CD player and can be ripped to a computer. In order to get the improved sound of a SACD, you need a compatible player.
Mobile Fidelity Sound Lab has specialized in audiophile-grade remasters of rock albums since their inception in the late 70’s. They start from the original master tapes and produce an excellent new version true to the intended recording and not all compressed and shrill like modern attempts at remastering (louder=better!!!!111). There is currently a dearth of rock music on SACD, as most of it is classical and jazz, but MFSL is definitely filling the gap. Surfer Rosa is the first non-classical SACD that i’ve bought, as well as the first MFSL release.
So how’s it sound, Mike? Amazing. I started with high expectations which were more than fulfilled. Every song has a distinct sense of ambience and reverb, I really get a sense of the recording space. The drums sound like an actual drum kit and not a bunch of detached, percussive strikes. Joey’s guitar screams and squawks without sounding unpleasantly harsh, and Frank’s strained shrieks are maddeningly detailed. I heard little things that I hadn’t noticed on previous CD and vinyl versions; bits of feedback, string squeak, and a creaking chair during the studio banter at the end of “Oh My Golly!”.
The only letdown was the packaging. I had expected a plastic case but was instead served a cardboard sleeve (which at least had a protective slipcover for the disc). If you want to own a quality physical copy of this landmark album, I would definitely recommend this version. You can get it from Amazon for about 27 bucks. Even if you don’t own an SACD player yet, this is worth getting because you’ll still get some of the sonic benefits of the remaster on the CD layer.