Tag Archives: CD

A boy named Charlie Brown

CD Review : Vince Guaraldi Trio – Jazz Impressions of a Boy Named Charlie Brown

A boy named Charlie Brown

Artist – Vince Guaraldi Trio

Title – Jazz Impressions of a Boy Named Charlie Brown

Format – CD ( AAD )

Label – Fantasy Records

Originally released in 1964, CD released 1989

This CD somehow found its way into my collection from one of the many roommates I had in college; lost and unclaimed among the multiple move ins/outs. According to Wikipedia, it is the soundtrack to a 1963 TV documentary about Charles M Schulz’s Peanuts comics, which lead to the 1965 animated Christmas special (that was followed by dozens of forgettable sequels).

The album includes “Linus and Lucy” , a song which all Americans hear roughly a billion times every holiday season yet still somehow retains its charm. The rest of the CD is in an identical vein: cocktail hour jazz piano made by, and for, white people. Which isn’t to say that it’s bad, just that I get the feeling that I should be drinking a martini and lounging on Dutch Modern furniture while this plays.

As for the sound, the double bass booms and buzzes, the hi hat spits out of the left channel and Vince’s piano glitters (but not too brightly) to my right. The whole CD seems to be recorded fairly hot and with not as much dynamic range (the difference between the quietest and loudest parts) as I’d like. It’s nowhere near modern loudness war levels, but it isn’t great either. Overall, the recording is still engaging, so it’s worth throwing on during a classier shindig or if you just want to kick back with some single malt scotch.

Amazon has it for fourteen bucks, but lists it under a slightly different title for some reason. Check it out if you want some accessible jazz for your collection.

Music: B-

Sound: C+

Vinyl records versus CD = what do hi-fi lovers prefer?

Vinyl vs CD

An endless debate has raged among audio lovers since the introduction of the Compact Disc in 1982. Detractors of the format complained of a “harsh”, or “bright” sound and stood by their vinyl records as the truest form of music reproduction. Those in the CD camp extolled the format’s ease of use and setup, lack of pops and clicks, no need for extensive cleaning procedures, and the fact that they could hold more music.

Both sides had valid points; early CDs did not sound very good for many reasons. The first CD players released used inferior decoding equipment and frequency cutoffs, fixed in later players by better circuitry and processors. Additionally, recording engineers in the early days of CD were not used to mixing and mastering for the format, hence the unpleasant sound. As for vinyl, the drawbacks are still clear: dust and dirt affects the sound, the grooves eventually wear out, and the frequency response is slightly more limited. Not to mention that turntables can be fiddly, complex things to set up (although some people like them for that).

My opinion on all this is that both formats are equally valid in anyone’s colleciton, and like pretty much anything in hi-fi, it’s all up to the listener’s personal preference. My vinyl collection is currently bigger than my CD/SACD library (and my MP3 list is bigger than both, more on that some other time). My preference for vinyl or CD depends a lot the type of music. Jazz and classical seem to fit CD better since there is a lack of surface noise, which can be distracting with quieter instrumental pieces. Rock music is more at home on vinyl, partly for the “authenticity factor”, but also because louder instrumentation tends to cancel out any noise caused by debris on the record.

But what I like the most about vinyl is the artwork. It’s much larger, bolder and overall nicer to look at than the tiny renditions squeezed onto a CD booklet. For example, the artwork on the CD version of The Grand Wazoo is cramped and compressed, but on the vinyl version’s cover you can see much more amusing, Sergio Aragones-esque detail.

So for hi-fi newbies, there is no need to throw out your CD collection. If you’re looking to start a vinyl collection, a good place to start first would be a local thrift or charity store. The records are usually incredibly cheap, but the drawback is the selection (hope you like Barbara Streisand or Herb Alpert and the Tijuana Brass!) and the physical condition of the records is often quite poor. But at around a buck a pop, its not a huge loss if you take one home and find it unplayably damaged. Within all the crap, there are hidden gems at these stores; recently I got the first two volumes of The Beethoven Bicentennial Collection (by Deutsche Grammophon) for 20 bucks. It includes all 9 of his symphonies and were in great condition.

More debate and discussion on Vinyl vs CD from Google Answers

My current system and how I got there

I first got into hi-fi in my senior year of high school. I had already been a bit of a video/home theater geek, so the extension came pretty naturally. My first setup was some hulking Aiwa minisystem and a Denon automatic turntable. I soon decided that the Aiwa’s onboard CD player was woefully inadequate so I hooked up some cheap Hitachi DVD player that had a 24/96 upsampling DAC (pardon my jargon so early in a beginner blog!) and used that to play discs. Overall, the sound probably wasn’t that bad, but in my mind it was still nowhere near hi-fi.

I eventually saved up enough to replace the weakest link in my system – the speakers. I went to the area hi-fi store and after laying out my budget and requirements, he left me alone in a listening room to A/B compare two candidates. I settled on the Energy C-1, a neat little pair of bookshelf speakers that I still use to this day. That summer after graduation, I managed to get my first full time job that I held for a few months before I started college. Instead of saving my money wisely, I went kinda nuts and put most of my earnings into building my system. The ugly, cheap minisystem I had used as an amp was replaced by a NAD C320BEE , the Denon was put away for a Pro-Ject Debut II, and the DVD was put back to DVD playing duties to be replaced by a Sony SACD changer.

Save for a few cable changes and vibration isolation tweaks, my system has remained mostly the same since then. And i’m pleased with the sound…mostly. There’s a lot more that can be done. My next big purchase will be speakers, which I feel are always the weakest link in any system. The Energys have served me well over the years, but it’s time to move up to floorstanders, mostly for the better overall frequency response, but also cause they look cooler! I’m thinking of the Polk Audio TSi400 , as it is nearest to my budget right now. When and if I get them, i’ll be sure to post a review.

It’s interesting to note that nearly every piece of equipment in my system is no longer manufactured. For example, the entry level NAD integrated amp is now the NAD C326BEE which is practically the same as mine performance-wise but has additional features like a line-in jack on the front for MP3 player hookup and a subwoofer connector.

Here’s a couple pics of how my system looks now (yes, my listening room is really bare right now, i’ll fix it, I promise!):

Full list of equipment used:

Amplifier – NAD C320BEE

Turntable – Pro-Ject Debut II

Phono Preamp – NAD PP-2

CD/SACD Player – Sony SCD-CE595

Speakers – Energy C-1

Vibration control – Vibrapods (under turntable), Vibrapod Cones (under SACD)