Tag Archives: gatefold

Vinyl review : Minutemen – Double Nickels on the Dime

minutemen double nickels on the dimeArtist – Minutemen

Title – Double Nickels on the Dime

Format – 2x Vinyl LP

Label – SST

Year – 1984

A few years ago I kept reading how groundbreaking and influential Double Nickels on the Dime was so I downloaded the album (naturally). I tried to listen to it but couldn’t really get into the music for some reason. The short, quirky, directionless songs didn’t do anything for me, with the exception of “Corona”, which anyone can immediately recognize as the Jackass theme. Recently, I picked the vinyl version up on a whim and gave it another shot. Now I finally get it. The reason I didn’t like this album on MP3 was cause I kept skipping around between tracks, looking for something that I instantly liked. Double Nickels does not work that way. The record has to be taken as a whole, with the good songs nestled among the weak and forgettable. Listening to it on vinyl makes shuffling around the tracks practically impossible, forcing you to groove on the gestalt. And that goes for any record regardless of genre, which is yet another advantage of the almighty LP.

I’ll leave you this link to Wikipedia for all the background about the band and the record because they summarize it much better than I can, and it’s not really relevant to the audio review. I will say that for a band that “jams econo”, the production on Double Nickels is uncharacteristically great. Great in the sense that there isn’t really any production to speak of, no effects or multitracking or anything, just a solid analog recording of the band doing their thing. The tracks run together with little gap between, which is totally intentional and give the impression of an extended jam session. I noticed quickly that the soundstage is kind of compressed and cramped, but it seems to open up as the album progresses. Hurley’s drums and Watt’s bass burst out of the speakers without assaulting my ears to the point of annoyance. Quieter acoustic guitar portions are well defined and natural, with humanizing string squeak and a good sense of dynamics. D. Boon’s vocals are satisfactory in the acoustic sense, but the lyrics are mostly just stoned ramblings with a few trenchant insights sprinkled in.

The album’s packaging ain’t bad, a nice gatefold sleeve with barely legible lyrics on the back and some band pics plus Raymond Pettibon artwork on the inside. Double albums always have beefy spines that look good on a shelf, so much so that i’ve encountered records that are only a single disc but put in double packaging anyway (like the Plain Records re-release of Loveless).

Double Nickels on the Dime proved that punk rock could be more than just power chords and blastbeats. Get this record for the noteworthiness but also for a true vinyl experience. Drop the needle, ingest your intoxicant of choice (optional) and take an engrossing ride that tosses you between genius and garbage. Amazon has this sucker in a warehouse just waiting to be raked with a microscopic piece of diamond, all for the low-ass price of thirteen bucks!

Music – B+

Sound – A

http://www.youtube.com/watch?v=XbBVOnRFHF8

Vinyl review : Mission of Burma – Signals, Calls, and Marches

Mission of Burma - Signals, Calls, and Marches

Artist – Mission of Burma

Title – Signals, Calls, and Marches

Format – 2x 180g Vinyl LP + bonus DVD

Label – Matador (remastered edition, original release on Ace of Hearts)

Year – 1981 (original), 2008 (remaster)

Among the slew of post-punk bands in the early 1980s, Mission of Burma was one of the few American groups, and probably one of the best. I had known of them for years but never checked out any of their work until the autumn of last year when I downloaded their Rykodisc compilation. I was living in Scotland at the time, and something about their songs really resonated with me as I spent countless grim mornings huddled at a bus stop in the pouring rain, hood up and headphones on.

The two disc set consists of the original 1981 EP (remastered from the original tapes) and their debut 7” , both on 12” , 33 1/3 records. These are 180g LPs, which means these records are thicker, heavier and generally better quality than other discs, which are generally 120g-140g. Most audiophile grade recordings are on heavy vinyl, and the improvement in sound is apparent. This is some of the quietest (in terms of surface noise) vinyl I have ever heard. Not a single pop or crack in either the lead in or run out groove, just a faint hiss. Nearly every other record I own has a noticeable amount of crackle, even brand new ones.

Little details are revealed by the new remaster, like the acoustic guitar buried in “Academy Fight Song”, and the bass has a good punch without being overwhelming. However, the vocals are a bit thin and the drums are vaguely distant. Despite this, i’m quite pleased with the sonics: the background is nice and black like I mentioned, and the whole thing has that laid back analog sound I know and love.

The set also includes a coupon for a free MP3 download of the album, booklet with pics and interviews, and a DVD of some live performances from 79-80. I haven’t checked out the DVD yet, but they supposedly had a mixed reputation as a live band (hence the title The Horrible Truth about Burma for their live album). You can get it from Amazon for 28 dollars , but I got mine from elusivedisc , a company i’ve been a fan of for a while.

Music: B+

Sound: B